V (![[info]](http://l-stat.livejournal.com/img/userinfo.gif){kind=small} vivnsect) wrote,@ 2007-07-27 17:26:00 |
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I never wear hats though....maybe I should start?
Hussein Chalayan Spring Summer 2007 Collection
Looking to the future to express how fashion changes throughout history, Hussein Chalayan created six mechanical dresses that would transform from one era to another, using embedded technology and smart wires, for his runway show at the Paris Fashion Week. The robotic dresses, which took six months to create with the help of the film special effects wizards of 2D3D, are not part of his new collection, but Hussein expressed that he wanted to collaborate with a technology company to make such transformations a reality.
The girl walked in and stood stock-still, dressed in a long, high-necked corseted Victorian gown. Then her clothes began to twitch, move, and reconfigure of their own accord. The mono-bosom top opened, the jacket retreated, the hemline started to rise, and—finally, amazingly—there she was, wearing a crystal-beaded flapper dress: a woman propelled through fashion history from 1895 to the twenties in the space of a minute. This was one of six incredible feats of technology and conceptual commentary at the heart of Hussein Chalayan's show. The others also moved through decades—one from the hourglass Dior New Look to the Paco Rabanne metal-link shift.
Hussein Chalayan closed his Spring/Summer 2007 collection with a dress of white shear fabric, that wound itself up into a hat, leaving the model wearing nothing but a heels and a smile. -ozoux.com
-Old news yes, but awesome. Whole show and review here. Hussein's site found here.
Hussein Chalayan Spring Summer 2007 Collection
Looking to the future to express how fashion changes throughout history, Hussein Chalayan created six mechanical dresses that would transform from one era to another, using embedded technology and smart wires, for his runway show at the Paris Fashion Week. The robotic dresses, which took six months to create with the help of the film special effects wizards of 2D3D, are not part of his new collection, but Hussein expressed that he wanted to collaborate with a technology company to make such transformations a reality.
The girl walked in and stood stock-still, dressed in a long, high-necked corseted Victorian gown. Then her clothes began to twitch, move, and reconfigure of their own accord. The mono-bosom top opened, the jacket retreated, the hemline started to rise, and—finally, amazingly—there she was, wearing a crystal-beaded flapper dress: a woman propelled through fashion history from 1895 to the twenties in the space of a minute. This was one of six incredible feats of technology and conceptual commentary at the heart of Hussein Chalayan's show. The others also moved through decades—one from the hourglass Dior New Look to the Paco Rabanne metal-link shift.
Hussein Chalayan closed his Spring/Summer 2007 collection with a dress of white shear fabric, that wound itself up into a hat, leaving the model wearing nothing but a heels and a smile. -ozoux.com
-Old news yes, but awesome. Whole show and review here. Hussein's site found here.
